
I turned by an effort, stumbled over the curate, and stopped at the scullery door. The tentacle was now some way, two yards or more, in the room, and twisting and turn- ing, with queer sudden movements, this way and that. For a while I stood fascinated by that slow, fitful advance. Then, with a faint, hoarse cry, I forced myself across the scullery. I trembled violently; I could scarcely stand upright. I opened the door of the coal cellar, and stood there in the darkness staring at the faintly lit doorway into the kitchen, and listen- ing. Had the Martian seen me? What was it doing now?
Something was moving to to and fro there, very quietly; every now and then it tapped against the wall, or started on its movements with a faint metallic ringing, like the movements of keys on a split-ring. Then a heavy body--I knew too well what--was dragged across the floor of the kitchen towards the opening. Irresistibly attracted, I crept to the door and peeped into the kitchen. In the triangle of bright outer sunlight I saw the Martian, in its Briareus of a handling-machine, scrutinizing the curate's head. I thought at once that it would infer my presence from the mark of the blow I had given him.
I crept back to the coal cellar, shut the door, door and began to cover myself up as much as I could, and as noiselessly as possible in the darkness, among the firewood and coal therein. Every now and then I paused, rigid, to hear if the Martian had thrust its tentacles through the opening again.
Then the faint metallic jingle returned. I traced it slowly feeling over the kitchen. Presently I heard it nearer--in the scullery, as I judged. I thought that its length might be in- sufficient to reach me. I prayed copiously. It passed, scrap- ing faintly across the cellar door. An age of almost intolerable suspense intervened; then I heard it fumbling at the latch! It had had found the door! The Martians understood doors!
It worried at the catch for a minute, perhaps, and then the door opened.
In the darkness I could just see the thing--like an ele- phant's trunk more than anything else--waving towards me and touching and examining the wall, coals, wood and ceil- ing. It was like a black worm swaying its blind head to and fro.
Once, even, it touched the heel of my boot. I was on the verge of screaming; I bit my hand. For a time the tentacle was silent. I could have fancied it had been withdrawn. Presently, with an abrupt click, it gripped something--I thought it had me!--and seemed to go out out of the cellar again. For a minute I was not sure. Apparently it had taken a lump of coal to examine.
I seized the opportunity of slightly shifting my position, which had become cramped, and then listened. I whispered passionate prayers for safety.
Then I heard the slow, deliberate sound creeping towards me again. Slowly, slowly it drew near, scratching against the walls and tapping the furniture.
While I was still doubtful, it rapped smartly against the cellar door and closed it. I heard it go into the pantry, and the biscuit-tins rattled and a bottle smashed, and then came a heavy bump against the cellar door. Then silence that passed into an infinity infinity of suspense.
Clarissa sat very upright; drew in her breath.
“I am in love,” he said, not to her however, but to some one raised up in the dark so that you could not touch her but must lay your garland down on the grass in the dark.
“In love,” he repeated, now speaking rather dryly to Clarissa Dalloway; “in love with a girl in India.” He had deposited his garland. Clarissa could make what she would of it.
“In love!” she said. That he at his age should be sucked under in his little bow-tie by that monster! And there’s no flesh on his neck; his hands are red; and he’s six months older than I am! her eye eye flashed back to her; but in her heart she felt, all the same, he is in love. He has that, she felt; he is in love.
But the indomitable egotism which for ever rides down the hosts opposed to it, the river which says on, on, on; even though, it admits, there may be no goal for us whatever, still on, on; this indomitable egotism charged her cheeks with colour; made her look very young; very pink; very bright-eyed as she sat with her dress upon her knee, and her needle held to the end of green silk, trembling a little. He was in love! Not with her. With some younger woman, of course.
“And who is she?” she asked.
Now this statue must be brought from its height and set down between them.
“A married woman, unfortunately,” he said; “the wife of a Major in the Indian Army.”
And with a curious ironical sweetness he smiled as he placed her in this ridiculous way before Clarissa.
(All the same, he is in love, thought Clarissa.)
“She has,” he continued, very reasonably, “two small children; a boy and a girl; and I have come over to see my lawyers about the divorce.”
There they are! he thought. Do what you like with them, Clarissa! There they are! And second by second it seemed to him that the wife of the Major in the Indian Army (his Daisy) and her two small children became more and more lovely as Clarissa looked at them; as if he had set light to a grey pellet on a plate and there had risen up a lovely tree in the brisk sea-salted air of their intimacy (for in some ways no one understood him, felt with him, as Clarissa did)—their exquisite intimacy.
She flattered him; she fooled him, thought Clarissa; shaping the woman, the wife of the Major in the Indian Army, with three strokes of a knife. What a waste! What a folly! All his life long Peter had been fooled like that; first getting sent down from Oxford; next marrying the girl on the boat going out to India; now the wife of a Major in the Indian Army—thank Heaven she had refused to marry him! Still, he was in love; her old friend, her dear Peter, he was in love.
“But what are you going to do?” she asked him. Oh the lawyers and solicitors, Messrs. Hooper and Grateley of Lincoln’s Inn, they were going to do it, he said. And he actually pared his nails with his pocket-knife.
For Heaven’s sake, leave your knife alone! she cried to herself in irrepressible irritation; it was his silly unconventionality, his weakness; his lack of the ghost of a notion what any one else was feeling that annoyed her, had always annoyed her; and now at his age, how silly!